Nimbus SAG-A Singularity

Medium Description

Printmaking is the primary focus of my artistic practice. My training and understanding of the medium are rooted in process, and I continually challenge those processes in pursuit of new possibilities. I believe this desire stems, in part, from an attempt to find control within a world that often feels unpredictable.This search frequently leads me to themes found in nature and in black holes. Nature often provides a sense of calm and balance, while black holes represent violence, destruction, and the unknown. Yet from a distance, even black holes can appear serene. This paradox continues to fascinate and inspire my work.My current artworks combine multiple printmaking processes. I begin with monotypes to establish spatial relationships and atmosphere. Serigraphy is then used to create structure, including imagery such as black holes, patterning, and, in some works, insects. More recently, my work has begun to move away from the inclusion of insect imagery. Chine-collé is incorporated to introduce additional texture and depth, enriching the visual surface. The final stage often involves the application of foil, which helps convey a sense of energy and transformation, suggesting forces that extend beyond the visible image.Through these layered processes, I seek to create works that balance control and chance, structure and ambiguity, while inviting viewers to contemplate the relationships between nature, technology, and human experience.

Artist Description

Communication has always been central to my artwork and printmaking practice. Through visual language, I seek to establish meaningful connections with viewers while continuing to grow as both an artist and educator.

Over time, many of my prints and drawings have become increasingly esoteric. However, my intention is never to confuse the viewer. Instead, I aim to draw them into the work, encouraging them to question and explore the possible meanings and relationships within each piece. Often, one form relates to another, reflecting the ways information is acquired, processed, and transformed through contemporary technology.

A significant portion of my work centers on an ongoing search for humanity—both within myself and in others. I examine how technology, language, and visual systems may shape our future, as well as the complexities and ambiguities that affect individuals and society. I am interested in how these transitions occur and what costs may accompany the choices we make.

In my work, form is inseparable from content and meaning. I frequently employ form in a narrative manner, allowing viewers to engage through familiar visual cues. Even within more abstract works, these cues help viewers assemble and interpret visual elements much like a puzzle or mathematical problem. 

One of the most exciting aspects of my practice is the process of creating a print. I am fascinated by problem-solving and by the opportunities for exploration and experimentation that printmaking provides. My work combines traditional techniques with contemporary approaches, including lithography, screen printing (water- and oil-based), intaglio, relief, calligraphy, and digital photographic processes. Many pieces incorporate multiple techniques, often passing through several stages before reaching completion, while others rely on a single process. Ultimately, these decisions are determined by the particular “voice” of the artwork.

My goal is to create, communicate, and continually expand my visual language. Through my work, I hope to share the attitudes, histories, beliefs, dreams, and desires I have encountered through others throughout my life. At its core, my practice is driven by a fundamental need to communicate and to elicit a response from someone I may never meet.